Sunday, January 29, 2012

Chapter 7: At Miz Gryder's



Mary Parker was tired, but she didn't let it show on her face. She kept smiling that bright, sunny smile at her customers, while her feet ached clear up to her waist. When she leaned over to clean the thirtieth table of the day, her stiff back complained vigorously.
It was rush hour at Hungry Jim's Cafe.
She hadn't finished cleaning the table, before Gertrude, the sharp-nosed, hair-netted woman at the cash register, called her name and jerked her head vigorously toward a table where four famished customers waited impatiently. Mary took one more half-hearted swipe at the vast desert of salt left by her last customers (do they have food fights with the stuff?). Then she straightened herself as much as she could, tucked away a stray tuft of greasy brown hair, picked up her note pad and went over to take the orders.
The man on the left had a pot belly, was balding and dressed like a shop owner. To his left, nearest the window, was an even bigger man with a ruddy complexion, in overalls and long-sleeved cotton shirt. He wore his red neck proudly, like a red badge of courage. He had earned it through a lifetime of bending and picking and working the soil. A young man in a t-shirt and yellow baseball cap sat on the right side. On his face was plastered the smug expression of a smart-aleck. When he saw the girl approaching, his expression changed to something else.
She ignored his lascivious stare.
May I take your order please?” Mary asked.
Kin I have ENNYthing I want?,” the youth asked.
Mary was plain. Her black eyes were two black holes without sparkle. If the eyes are the window of the soul, there was nobody home at Mary's place. Her nose was placed too low, almost touching her lip. Her fingers were short and straight, and so was she. Her facial features were rough-cut, like a preliminary sketch, not the finished drawing. There was some work that still needed to be done on her.
Mary said nothing, but turned to look at the man with his back to the window. “And what will you have?” she asked. The rebuffed smart-aleck lowered his voice a little, but not enough.
Who would want to do her, anyway?” he said, elbowing his neighbor in the ribs.
Mary's customer answered, “I'd like a hamburger steak, miss -- lots of gravy, and bring a bottle of ketchup, yeah, and a cup'a kahfee.”
The farmer looked at her for a moment, then said, “You're new here, aintcha? I ain't seed you around here afore.”
Mary stopped. “Yes.”
Then she turned and saw the young man whose back had been toward her. He turned his face toward her, and looked into her eyes. He had an open, honest face, with penetrating, intelligent black eyes, dark hair, clear, smooth white skin, straight nose and mouth. In the slave South, he might have been an aristocrat's son. He seemed out of place in this company. Mary felt slightly embarrassed.
She took his order, and her fingers wrote down what he was saying. She looked into his face.
Mary brought her order back into the kitchen, where Hungry Jim was sweating, fussing and cursing over a hot stove. He looked at her peevishly.
Don't lose your tickets,” he snapped. “And don't forget to fill the sugar bowls.” Jim had to get up at 3 a.m. each and every day of the blessed year, excepting only Sundays, Christmas and New Year's. While the farmers were still counting dream sheep, Jim was unpacking boxes of bacon and starting the coffee for the breakfast crowd.
And they would come. The thundering, ravenous horde, shouting and clamoring for food. All mouth, like a nest full of hungry hatchlings. Hungry Jim knew how a mother robin felt, trying to gather up enough worms to feed her brood.
The ballplayers were the worst. They would come each Friday night during the season, after the game. They all wanted steaks, all cooked different ways, and they all wanted them five minutes ago. They kept Jim running ragged all night long. “More ketchup!” Hey, about some more coffee over here?”
Each night the kitchen had to be cleaned, and everything laid out for breakfast the next morning. Sometimes, he didn't get to bed until after ten. Then it was up at three again the next morning. Hungry Jim stayed in a bad mood.
Mary served the food. She felt the eyes of the black-haired youth. Once, before she left the table, she returned his stare.
When the four of them got up to leave, he looked back at her once more over his shoulder.
The rest of the day went by quickly. Mary softly whistled as she cleaned the tables and filled the sugar bowls. She didn't mind when Jim barked at her, “Be sure to be on time tomorrow.”
She hung up her apron and stepped outside, alone. 
The autumn sun was just going down behind Smith's Hardware. The street was empty. Mary turned right and walked past the large plate glass windows of Hungry Jim's Cafe, past the dark red brick store fronts, on down the hill to the railroad cut, where the tracks sliced through a steep red embankment. There wasn't a soul in sight.
Three Notch Street ran all the way through the town. The name came from Andy Jackson's campaign against the Indians. When Jackson's scouts came through, they left three notches on the trees, for the army to follow.
On the other side of the tracks, the road curved and climbed again. On the left was the Piggly Wiggly; on the right Barnes & Glover Friendly Funeral Home, followed by VFW Post #466. The business district quickly gave way to residential. Trees, mostly oak and pecan, became more numerous. The white pine houses started on the other side of Dunson Street, which went past the Piggly Wiggly parking lot.
Mary walked on down two more blocks, past the B & B store on the corner. The B & B was a kind of forerunner for the neighborhood convenience store. They pumped gas out front. Inside, a bewildering multitude of odors greeted the customer's nose. The breath of new shoe leather and licorce swirled together with herb tea, spices and fresh vegetables. The B & B had everything from hardware to cold drinks.
To get to Old Lady Gryder's house, take the second left, then the first right. It's the fourth house on the left; the one with the water oak out front and two pecan trees on the side. Out back is a huge old oak that towers over the house. Its massive trunk is at least six feet in diameter. Its limbs are as big as most trees. There are kingdoms in its branches and leaves, where squirrels can skitter into the sky.
Concrete steps, bordered on both sides by low, wide, stair-stepped brick banisters lead up to the front porch, which extends all the way across the front of the house.
The house itself is made of heart pine, and there's not a nail in it. It's raised three feet off the ground on brick columns, to keep the varmints out. The wood floors pop and snap when you walk, but don't let that fool you. The house is built solid. It sits on extra heavy beams, spaced close together.
Everybody knows Emmy Lou Gryder. And she knows everybody. Her late husband, old Doc Gryder, delivered most of the people living in these parts.
Some people might say Old Lady Gryder was nosy. She didn't look at it that way. Her marriage to Doctor Gryder had not been blessed with children, so she simply adopted the children he delivered, along with their entire families. She knew the reason Mary Jo Cuthbert had to drop out of school, and what Tommy Lee Jones was doing late at night when he was supposed to be in bed. She wasn't poking her nose in other people's business, she was just looking out for “her” family. 
If anybody got sick, Old Lady Gryder was right there with remedies and a basket full of food. If there was a death, you could count on her to bring fried chicken, cornbread, black eyed peas, squash, and banana pudding. “The livin' still got to eat,” she always said.
Miz Gryder was set in her ways. She had lived alone so long that she was not accustomed to make allowances for other tastes, other modes of behavior. She had no need of compromise. Until recently, that is.
Recently, she took in a boarder; a young girl with a mysterious past. In Centerville, every stranger had a mysterious past. If somebody's great-grandparents had not been born in Centerville, their background as questionable.
This young girl was a complete stranger. She had suddenly appeared in town a few weeks ago. Nobody knew where she came from, or anything about her. She didn't have any family. She didn't have enough money to continue staying at the hotel, so she looked for a room to rent. All the boarding houses were full up, so Miz Gryder took her in. “At least, she doesn't look like the kind of girl to be gittin' in trouble.” “I don't know. You can't never tell. Sometimes, the homely ones will surprise you.”
When Mary Parker came home, Miz Gryder was busy cooking. Her short, stout frame slammed around the kitchen with authority. Pots and pans knew their places. She whapped that biscuit dough and made it behave. Everything she used often was placed lower than six-feet, four and a half inches. That was as high as she could reach, on tippy toes.
Hello, Sug',” Miz Gryder called out when she heard Mary's footsteps creak on the hardwood floor. “How did things go at the cafe?”
Just fine, Miz Gryder,” Mary called out from her room. She put down her things and changed clothes, then joined Mrs. Gryder in the kitchen.
Here -- take these and set the table,” Mrs. Gryder ordered. Mary obeyed. Mealtime at Miz Gryder's was a ritual. It was a solemn-happy occasion, but very business-like. Everything had to be done in its proper order, from setting the table to cleaning up. One did not start the butterbeans before the biscuits were in the oven. One did not batter the chicken before the cornbread was in the pan. And never, ever did one forget to say grace.
Mrs. Gryder bustled purposefully around the kitchen, rattling, clanging and banging, while Mary backed into a corner and stood with her hands at her sides, fidgeting. When they were seated at the table, after asking the blessing, Mrs. Gryder looked straight at Mary with her hard, bright blue-gray eyes. “So, hon, how's Jimmy doing?” (Miz Gryder had known little Jimmy Mayfield, the present owner of Hungry Jim's Cafe, since the rainy, stormy night he was born, actually in the wee hours of the morning. It had been a hard labor for the poor girl, Jimmy's momma. Henry hadn't gotten home until just afore sunup, wore to a frazzle. Jimmy was a fat boy, and so natchly got picked on by the other kids. Maybe that's why he turned out so ornery).
Oh, fine,” Mary answered. She found it hard to look into Miz Gryder's intense, almost fierce eyes. The face was broad and rather square, with heavy lines.
I mean, how's the business going?” Miz Gryder snapped impatiently.
Mary looked up, washed down a mouthful of squash with iced tea, and said, “It was kind of slow.”
That boy. He'll never amount to nothin.'“
They finished their meal in silence. Then Mary helped Miz Gryder clear the table and wash the dishes. After supper, Miz Gryder watched reruns of her favorite TV western. Mary excused herself early and went to bed. It had been a rough day.

Monday, January 23, 2012

Chapter 6: The new recruit



When Screwtape had gorged, he stumbled drunkenly to the intercom. “Miss Caliente,” Screwtape croaked, “come here. I want you.” His voice was choked with blood and lust.
In a few moments, she came to him. There were no words, Soon they were wanton and groping, grunting; wallowing and smearing their naked bodies with Slugthorn's blood. He flailed away at her awkwardly with his hideous, slashing talons. Screwtape's scales and claws ripped into her soft cushion of flesh. Her blood mingled with that of Screwtape's latest victim. She screamed the banshee scream.
When they were finished, Screwtape rolled over, pulled himself up on his desk, and got to his feet. “Clean this mess up,” he commanded, then disappeared behind a side door.
In a few minutes, the distinguished-looking executive Screwtape was showered and laundered, and seated again behind the handsomely appointed desk in his spotless office.
He leaned over and pushed a button on the intercom. “Miss Caliente, when is Mr. Glubwart expected?”
His appointment is scheduled in ten minutes, Mr. Screwtape,” was the answer.
By the time Screwtape had poured himself a drink and glanced over his prepared remarks, Desiree buzzed back that Glubwart had arrived.
Send him in,” Screwtape said.
Welcome aboard, Glubwart.” Screwtape addressed his newest recruit. Stretching as far as he could across the wide desk, he was just able to touch Glubwart's outstretched hand. He motioned for Glubwart to take a seat.
Thank you, sir,” Glubwart said.
Screwtape sat up straight and began importantly: “Now that you're on the team, you've got a lot to learn,” Screwtape continued. I'm afraid there isn't much time to break you in slowly. The failings of your predecessor left the office in a state of crisis.” Screwtape paused to let the gravity of the situation sink in.
The Enemy has been making inroads all over the country, and particularly in your district.” Screwtape exaggerated for effect; things weren't really as bleak for the Lower Empire as he was painting them. “Thanks to the bungling of your predecessor, we missed a golden opportunity to turn that trend around. Now you've got a lot of catchup to do, just to stay in the ballgame.”
Screwtape stood up and turned his back to his new District Manager for the Southeast United States. He walked over to the large plate glass window and stared out at the blue water of the Pacific Ocean.
We're in a war, Glubwart,” he continued, pacing slowly up and down in front of the window with his hands clasped behind him. “We're battling for our lives. We've got troops on the frontlines, but they need and deserve good leaders. Your predecessor” (Screwtape emphasized the words 'your predecessor') “let them down. He dropped the ball. Now you've got to provide the leadership that he lacked.”
Suddenly Screwtape whirled to face his new recruit. He pointed an accusing finger at Glubwart. “Now, what do you propose to do?”
Glubwart was caught totally off guard. “Er, ahh ...” he stammered. This experienced demon, who took part in torturing Christians in ancient Rome, felt like a novice when confronted with the infamous Screwtape. Screwtape's deeds were legendary.
Screwtape cut him short with an impatient gesture. “Do you think this is a game, Glubwart?”
Ahh, er...”
Well, I can tell you it's not! The Enemy is playing for keeps. And so must we. There is NO ROOM in this organization for slow thinkers, equivocators, or half-hearted, squeamish namby-pambies. Do you follow me?” Glubwart just nodded.
You must be implacable, Glubwart. The Enemy gives no quarter. Do you think there will be mercy for us at the end?” Screwtape's stomach quivered briefly. But then his courage returned, and he thundered, “NO! If you can't smile, giggle and coo, and chuck a baby under the chin, and then dash its brains out against a wall, you are no good to us! You must be stone. A child's hysterical, agonized screams, tears and pleading for mercy, for its very life, must be as inconsequential to you as the revelation that a platypus has four toes, instead of three.
You must have your wits about you at ALL times. Your predecessor was caught napping, and you see what his reward was.”
Glubwart was growing more and more uncomfortable. He fidgeted.
Screwtape had resumed his pacing during his monologue. Suddenly, he stopped in front of the window and turned to Glubwart again. You have no plan,” he said accusingly. Glubwart looked miserable.
Very well. I will give you some advice: “In a way, it's very simple. All you have to do is exaggerate. The Enemy gives us openings everywhere. Just take those things that are pleasing -- sex, food, drink, sleep, vacation, movies, -- anything -- and exaggerate it. Even love! Yes, believe it, Glubwart! You would be amazed what you can work with an overdose of love. Just turn it inside; make it a self-seeking desire, an obsession. Do you know what mayhem is wrought every Saturday night in the name of love?
Forget the big stuff -- war, torture, famine, pestilence, rape. Sure, they're fun and grab headlines, but they're not always productive. The humans can be damned frustrating. Sometimes, if you're not careful, if you push just a little too hard, they can turn the tables on you -- triumph in the face of misery; pull together in the darkest tragedies. Hell, Glubwart, they write books about stuff like that -- don't you ever read? Even if they lose their lives, the Enemy wins their jewels.
No. Stick to the small stuff. The mundane, ordinary: greed, hate, gluttony, lying, pride, hurt feelings, nagging, guilt, recriminations. Make them gnaw on old wounds, keep them fresh. Make them always want to have the last word, win every argument.
We've had huge success with this method, Glubwart! Do you know what the divorce rate is in this country? You think success like that comes by accident? It's damned hard work! Hah! Yes, it's the little, dirty, everyday stuff that gets 'em. That's our bread and butter.
Make your client feel good. What he is doing is important and right. Always make him think of himself first. This is where you will win him or lose him. If you can just get him to concentrate on himself, on his on needs and desires, he is ours.
Having said that, let me say this. It is simple, yes. But there's an endless, sophisticated net of possibilities. It can be refined as highly as you have talent and resources to pursue it.
Sex is it. In our game, it's where it's at, I believe the expression goes, n'est pas? Almost everyone can be turned with sex. Millions have been already -- let's make it billions -- like the hamburger, eh? The Enemy did us a huge favor when he invented sex. It is so strong. So powerful. Addictive. Your client, if he is a normal, healthy, red-blooded male, will do almost anything to get it. It’s your job to do away with ‘almost.’ Without a list of conquests, a man is only half a man.
If that runs out, try something else. Try a new twist; try whips and such; anything new. Drugs are our best ally! Sex and drugs make a fine combination; he may even get so heavily into drugs that he gives up sex altogether. It happens that way with cocaine, you know.
Never give up. Have an answer ready for everything. If he mentions AIDS, tell him AIDS has nothing whatever to do with promiscuity. The simple darling will believe anything you tell him, if it adds to his pleasure. Tell him he only has to be careful, and AIDS is nothing to fear. Just the fact that he is more worried about his body than his jewel is a point in our favor. Never let him even suspect that he has a jewel in the first place. Keep his attention riveted on his body, his poor, lovely, conceited, perishable body. He's ours.
A good way to start him down the road is to tell him that the Enemy’s ways are old-fashioned. A derisive guffaw is in order here: ‘You don't really hold to THOSE old-fashioned ideas, do you? This is a new century, for chrissake.’
Glubwart -- pay attention! Always be careful, when speaking the Enemy's name, to make it sound like a surprised curse. If you do that, you may avoid the sting. Should you feel the sting anyway, mask your face so that your client does not see your pain. A slip now would be disastrous.
Where was I? Oh, yes. ‘Old-fashioned.’ It's a popular and very useful dodge. Snorkelfus has had great success with it. Anything that reeks of the Enemy is ‘old-fashioned.’ Whatever makes your client feel good is modern, up-to-date, and just the thing smart people do. Only stupid, dull, hopelessly naive people bury themselves in the musty past.
It goes without saying -- never let the subject of Sodom and Gommorrah come up, especially not when taking this tack. If you do, even the simplest dolt may see through your stratagem.” Screwtape paused from his lecture for a moment, and searched Glubwart's face for a sign of understanding, a glimmer of intelligence. Finding none, he threw up his hands in frustration.
You don’t see how? You are more stupid than I thought. He'll see, of course, that our ways are only slightly younger than the Enemy’s, you fool! Do you think Sodom and Gommorrah were wiped out yesterday?”
This was going to be harder than he thought. Disgusted, Screwtape sat down in his chair again, picked up a cigar and chomped down hard. His eyes glazed over as he gazed into the distant past.
...I'll never forget that day -- one of our greatest losses to the old Bully.
Take heart. Do not let the story of Job get you down. He was truly one in a billion. Millions more have come over to our side, with far less coaxing.”
Screwtape slowly swiveled around to face the ocean, his back to Glubwart. He mused, almost forgetting his audience: It's all self. Just keep them thinking of self. Everything turns on that crucial point -- the snares of sex, power, drugs, money -- it's all for self. Abortion -- what they're thinking about is self -- not the little whelp inside.
Music? Heavy metal, yes. Fine. It can't hurt. But steer your client away from that classical stuff. It tends to lift upward and outward. It leads you out of yourself. That loud, other kind, turns you inward. That's OK. That's fine. That's what we want. But beware Beethoven, Handel, Strauss. Their music is dangerous. It evokes feelings that can even... even offer a glimpse of ... of ... God ... (Screwtape grimaced in pain; he had learned to steel himself against the pang of uttering the Enemy's name, but this time he blurted it out before thinking) er...uh. That's bad. The din of rock music is like an ear-shattering bag that envelopes its victims. How can their thoughts go outside? They literally can't even hear themselves think!
We must completely smother that 'still small voice' until it can no longer be heard above the shouts of ME,  ME, ME!
You have some great operatives in the 'me' generation. If we can keep them thinking there is nothing above their puny, miserable selves, we have them. We have them, Glubwart! “Stick to the basics, Glubwart. Take heed. No, take greed (Screwtape smiled inwardly at his bon mot). Those who have less will justify any crime to get more. They owe it to themselves. Those who have more will use the laws to jealousy guard every penny they have, and make still more.
Everybody's looking out for themselves. Hospitals and doctors charge too much. So do auto repair shops. They know the customer doesn’t care how much it costs, because ‘the insurance company is paying for it, anyway, and aren't my premiums high enough? Charge the insurance company for repainting the whole house; I'll wash the walls and pocket the money. I deserve it, after all those premiums I paid.’ The insurance company, meanwhile, knows it is going to get ripped off, so it jacks up the premiums and writes contracts with clauses to reduce the amount of claims it has to pay. Who started first? Who cares, Glubwart? They're all standing around in a vicious circle, with everybody's hand in everybody else's pocket, and some of them think they are getting rich by it, while others think they are being cheated. And they're all really losing -- isn't that rich? The only winners? Why Glubwart, I think you can guess by now. Us, of course!
Abortion. That is something we need to push, and push hard. It is not a human being the silly women are killing, it is simply a mass of tissue, that might cause them inconvenience. If we can get them to kill their own whelps unborn, then Hell's the limit. If we can get them to kill their own children, we can get them to do anything, Glubwart! From there, it's just a small step to euthanizing (what a great euphemism!) mental patients, the terminally ill, and elderly.
You know all the arguments, use them: back alley abortionists, reproductive rights, it’s her own body, isn’t it? (don’t let the fool think about ITs body, just her own).
Glubwart -- it's a veritable greenhouse for us! It takes no special effort on our part; just some judicious gardening. Nurture those hatreds, those envies, those budding egos, grasping greeds. Soon they will be ours, ripe for the picking. Ah, Glubwart!”
For a long time, Screwtape did not speak. He was lost in reverie, wrapped up in his own wisdom, savoring his words.
Finally, he awoke with a start.
Well, Glubwart. --That should give you something to go on. Any questions? Then go out there and get started. Bring me some jewels.”

Friday, January 13, 2012

Chapter 5: Punishment for failure



Screwtape's inner office was larger than the room Slugthorn had just crossed. Here, the decor was still similar to the other rooms in its grandiose, epic overstatement. A large Renaissance painting from one of the Dutch masters dominated the right hand wall. It was a feast scene, with hogs roasting slowly over open pits, pot-bellied men swilling ale and trenchers of food being carried to a hungry horde gathered around a long table. On the opposite wall was a large stone fireplace with massive iron dogs and a broad flagstone mantle. It looked like it came from a medieval castle. At the far end, a tall row of plate glass windows looked out onto the ocean. They were the first windows Slugthorn had seen since entering Screwtape's realm.
Just in front of the windows, a huge wooden desk ran almost the entire length of the wall. Behind the heavy desk, that from Slugthorn's perspective looked like a wooden aircraft carrier, in a large, brown leather, padded swivel chair, sat Screwtape.
Screwtape was in the form of middle-aged, respectable-looking gentleman who looked like he might be a banker. He had a high forehead, kindly, intelligent gray eyes full of fatherly authority, a short, straight nose and broad mouth. It was a broad, open, honest face; one that inspired trust and respect. The brown hair was tinged with an honest, un-dyed touch of gray. His medium build, hidden by the flagship of a desk, had just a hint of a bulge around the middle.
Slugthorn let the door close behind him. One of his feet slid forward. Then the other. Unstoppable. Awful. One foot followed another as he was drawn straight for Screwtape's desk. It was as if tongs of iron were pulling him, not permitting him to waver so much as an inch to the left or right. Screwtape's face loomed larger.
When half the distance had been covered, Screwtape lifted his head from his work. His gray eyes turned coal black and bored in on the hapless Slugthorn. Screwtape's broad mouth, so accustomed to breaking into an easy, lofty smile, now wrenched itself open and bellowed, “SLUGthorn!”
Yes, master.” Slugthorn's feet kept moving. It was awful.
You are LATE!”
Yes, master.” The desk was drawing near.
How foolish of you to try to avoid the inEVITable!”
But, master...”
Of course, I could have sent the Furies after you.”
Yes, master.”
But I knew you would come. I knew you were just trying to delay. Tch tch.” Screwtape made a repulsive sucking noise with his lip against his teeth. “They always try to delay, even when it's hopeless.”
But, master...” Slugthorn was trying hard to remember something. He had had a plan. He had learned something. What was it? It was gone in a fog. His brain numb. Think, Slugthorn!
Suddenly, terribly, Screwtape broke into a loud, piercing, raucous, triumphant laugh that ended in a shout.
But, master.... the ... the... the children.” Something peered through the fog in Slugthorn's brain. “The children, master. There's something going on with the children.”
Slugthorn's answer was a blood-chilling banshee shriek. In a twinkling, Screwtape was suddenly transformed into his ravenous true shape -- all scaly, fiery fury. All glistening, long, sharp white teeth. He soared swiftly, flew straight for Slugthorn.
Slugthorn's screams of horror and agony were absorbed by the thick walls of Screwtape's comfortable office.